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portada A History of Pictures: From the Cave to the Computer Screen
Type
Physical Book
Year
2020
Language
English
Pages
368
Format
Paperback
ISBN13
9780500094235
Edition No.
2

A History of Pictures: From the Cave to the Computer Screen

David Hockney; Martin Gayford (Author) · Thames And Hudson Ltd · Paperback

A History of Pictures: From the Cave to the Computer Screen - David Hockney; Martin Gayford

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Synopsis "A History of Pictures: From the Cave to the Computer Screen "

A new, compact edition of David Hockney and Martin Gayford’s brilliantly original book, with a revised final chapter and three entirely new Hockney artworks'I won't read a more interesting book all year ... utterly fascinating' --AN Wilson, The Sunday Times Informed and energized by a lifetime of painting, drawing and making images with cameras, David Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters? Juxtaposing a rich variety of images – a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velázquez painting – the authors cross the normal boundaries between high culture and popular entertainment, and make unexpected connections across time and media. Building on Hockney’s groundbreaking book Secret Knowledge, they argue that film, photography, painting and drawing are deeply interconnected. Insightful and thought provoking, A History of Pictures is an important contribution to our appreciation of how we represent our reality. This new edition has a revised final chapter with some of Hockney’s latest works, including the stained-glass window in Westminster Abbey.Table of Contents1. Pictures, Art and History2. Pictures and Reality3. Making Marks4. Shadows5. Picturing Space and Time6. Brunelleschi’s Window and Alberti’s Mirror7. Mirrors and Reflections8. Paper, Paint and Multiplying Pictures9. Painting the Stage and Staging Paintings10. Caravaggio and the Academy of the Lynx-Eyed11. Vermeer and Rembrandt: the Hand, the Lens and the Heart12. Truth and Beauty in the Age of Reason13. The Camera Before and After 183914. Photography, Truth and Painting15. Painting with and without Photography16. Snapshots and Moving Pictures17. Movies and Stills18. The Unending History of Pictures

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