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portada Eve and David: Lost Illusions; Pt. III
Type
Physical Book
Publisher
Language
English
Pages
214
Format
Hardcover
Dimensions
23.4 x 15.6 x 1.3 cm
Weight
0.48 kg.
ISBN13
9781374928947

Eve and David: Lost Illusions; Pt. III

Honoré De Balzac (Author) · Pinnacle Press · Hardcover

Eve and David: Lost Illusions; Pt. III - Honoré De Balzac

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Synopsis "Eve and David: Lost Illusions; Pt. III"

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Honoré De Balzac
  (Author)
View Author's Page
Honoré de Balzac (1799-1851), novelist, playwright, literary and art critic, essayist, journalist, and French printer, is considered one of the great writers of realism. Born in Tours, in 1814 he moved to Paris, where he studied law and began working in a law firm, but his love for literature drove him to abandon his career and dedicate himself to writing. He undertook several businesses, which ended in failure and left him in debt. With The Last Chouan (1829), he achieved great success. From then on, he began a feverish activity, writing, among others, The Physiology of Marriage (1829) and The Wild Ass's Skin (1831), with which he began to consolidate his prestige. In 1834, Balzac, a tireless worker, conceived the idea of making an exhaustive portrait of French society of his time by having the same characters appear in different stories, which began to give his work a unitary sense under the title of The Human Comedy, to which belong titles such as Eugénie Grandet (1833), Father Goriot (1835), Splendors and Miseries of Courtesans (1838-1847) or Cousin Bette (1846), although of the 137 novels that were to make it up, fifty remained incomplete. An extraordinary writer, capable of deploying in his works sublime reflections and ideas, creating an interesting story with strong social criticism through exquisite prose of great poetic level and philosophical depth, Balzac is considered the founder of the modern novel.
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