The Poems and Fragments of Catullus. Translated in the Metres of the Original by Robinson Ellis. Gaius Valerius Catullus, c. 84 - c. 54 BC, was a Latin poet of the late Roman Republic who wrote chiefly in the neoteric style of poetry, which is about personal life rather than classical heroes. His surviving works are still read widely and continue to influence poetry and other forms of art. Catullus's poems were widely appreciated by other poets. He greatly influenced Ovid, Horace, Virgil, and others. After his rediscovery in the Late Middle Ages, Catullus again found admirers. The explicit sexual imagery which he uses in some of his poems has shocked many readers. Indeed, Catullus's work was never canonical in schools, although his body of work is still frequently read from secondary school to graduate programs across the world, with his 64th poem often considered his greatest. The idea of translating Catullus in the original metres adopted by the poet himself was suggested to me many years ago by the admirable, though, in England, insufficiently known, version of Theodor Heyse (Berlin, 1855). My first attempts were modelled upon him, and were so unsuccessful that I dropt the idea for some time altogether. In 1868, the year following the publication of my larger critical edition1 of Catullus, I again took up the experiment, and translated into English glyconics the first Hymenaeal, Collis o Heliconici. Tennyson's Alcaics and Hendecasyllables had appeared in the interval, and had suggested to me the new principle on which I was to go to work. It was not sufficient to reproduce the ancient metres, unless the ancient quantity was reproduced also. Almost all the modern writers of classical metre had contented themselves with making an accented syllable long, an unaccented short; the most familiar specimens of hexameter, Longfellow's Evangeline and Clough's Bothie of Tober-na-Vuolich and Amours de Voyage were written on this principle, and, as a rule, stopped there.
