Among his most notable works are El pecado original de América (1954), Homo atómicus (1962), El nombre secreto (1969), La metáfora y lo sagrado (1973), and Ensayos sobre subversión (1962). In narrative, highlights include El centro del infierno (1957) and El coronel de caballería y otros relatos (1971), while his poetic output includes titles like La vida nueva (1951) and El águila que desaparece (1975). His work has been subject to reissues and critical studies, consolidating his legacy as a central figure in Argentine literature and thought of the 20th century.
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