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portada Eugene Aram, Complete
Type
Physical Book
Publisher
Language
English
Pages
144
Format
Paperback
Dimensions
28.0 x 21.6 x 0.8 cm
Weight
0.35 kg.
ISBN13
9781517266516

Eugene Aram, Complete

Edward Bulwer Lytton Lytton (Author) · Createspace · Paperback

Eugene Aram, Complete - Edward Bulwer Lytton Lytton

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Synopsis "Eugene Aram, Complete"

"Protected by the divinity they adored, supported by the earth which they cultivated, and at peace with themselves, they enjoyed the sweets of life, without dreading or desiring dissolution." Numa Pompilius. In the country of-there is a sequestered hamlet, which I have often sought occasion to pass, and which I have never left without a certain reluctance and regret. It is not only (though this has a remarkable spell over my imagination) that it is the sanctuary, as it were, of a story which appears to me of a singular and fearful interest; but the scene itself is one which requires no legend to arrest the traveller's attention. I know not in any part of the world, which it has been my lot to visit, a landscape so entirely lovely and picturesque, as that which on every side of the village I speak of, you may survey.
Edward Bulwer Lytton Lytton
  (Author)
View Author's Page
Edward Bulwer-Lytton (London, 1803 – Torquay, 1873) was a prolific novelist, playwright, and British politician, prominent in the Victorian period. He cultivated various literary genres, including historical novels, Gothic romance, and science fiction. Among his most recognized works is The Last Days of Pompeii (1834), a historical novel set in the ancient Roman city before its destruction by the eruption of Vesuvius. Other notable works include Zanoni (1842), The Haunted and the Haunters (1859), and The Coming Race (1871), also known as Vril, the Power of the Coming Race.

Bulwer-Lytton is remembered for coining famous phrases such as "The pen is mightier than the sword" and for the famous opening "It was a dark and stormy night" in his novel Paul Clifford (1830). His influence endures in literature and popular culture, and his legacy has been the subject of study and revaluation in contemporary literary criticism.
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The book is written in English.
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