The work reflects on England's socio-political landscape, tackling themes of wealth, labor, and the moral responsibilities of both the rich and poor. Through a series of powerful observations and critiques, Carlyle aims to awaken the conscience of his contemporaries regarding their societal conditions. The opening of "Past and Present" sets the stage by highlighting the paradox of England's prosperity and the stark reality of its impoverished workers. Carlyle draws a vivid picture of the unemployed, languishing in workhouses, and contrasts it with the wealth surrounding them, likening the situation to a form of enchantment that prevents them from benefiting from their labor. He uses allegorical references, such as King Midas and the Sphinx, to illustrate the dangers of superficiality and the necessity of acknowledging deeper truths. This portion not only emphasizes the urgency for meaningful reform but also critiques societal complacency and the moral consequences of neglecting the plight of the working class. The Past cannot be seen; the Past, looked at through the medium of 'Philosophical History' in these times, cannot even be not seen: it is misseen; affirmed to have existed, -and to have been a godless Impossibility. Your Norman Conquerors, true royal souls, crowned kings as such, were vulturous irrational tyrants: your Becket was a noisy egoist and hypocrite; getting his brains spilt on the floor of Canterbury Cathedral, to secure the main chance, - somewhat uncertain how! "Enthusiasm," and even "honest Enthusiasm,"-yes, of course: 'The Dog, to gain his private ends, Went mad, and bit the Man!'- For in truth, the eye sees in all things 'what it brought with it the means of seeing.' A godless century, looking back on centuries that were godly, produces portraitures more miraculous than any other. All was inane discord in the Past; brute Force bore rule everywhere; Stupidity, savage Unreason, fitter for Bedlam than for a human World! Whereby indeed it becomes suffi-
