Excerpt from The Manxman: A Novel Old Deemster Christian of Ballawhaine was a hard man - hard on the outside, at all events. They called him Iron Christian, and people said, "Don't turn that iron hand against you." Yet his character was stamped with nobleness as well as strength. He was not a man of icy nature, but he loved to gather icicles about him. There was fire enough underneath, at which he warmed his old heart when alone, but he liked the air to be congealed about his face. He was a man of a closed soul. One had to wrench open the dark chamber where he kept his feelings; but the man who had done that had uncovered his nakedness, and he cut him off for ever. That was how it happened with his son, the father of Philip. He had two sons; the elder was an impetuous creature, a fiery spirit, one of the masterful souls who want the restraint of the curb if they are not to hurry headlong into the abyss. Old Deemster Christian had called this boy Thomas Wilson, after the serene saint who had once been Bishop of Man. He was intended, however, for the law, not for the Church. The office of Deemster never has been and never can be hereditary; yet the Christians of Ballawhaine had been Deemsters through six generations, and old Iron Christian expected that Thomas Wilson Christian would succeed him. But there was enough uncertainty about the succession to make merit of more value than precedent in the selection, and so the old man had brought up his son to the English bar, and afterwards called him to practise in the Manx one. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
